PAPEL ESTRUJADO — Astiberri, 2013
17,4 x 24 cm, 400 páginas, tapa blanda17,4 x 24 cm, 400 pages, soft cover
Javi tiene 16 años, ha dejado el instituto y se ha convertido en una suerte de sicario bien remunerado al que le piden todo tipo de trabajos los mismos estudiantes: venganzas, recuperar objetos robados, romper alguna nariz... Pero un día, durante el transcurso de una fiesta, le hacen un encargo diferente. Y la cosa sale mal...
Paralelamente, Jorge acaba de llegar a la ciudad y ha empezado a trabajar en una nave de carpintería industrial. Arturo, un compañero, intenta acceder a él, pero sus
esfuerzos resultan baldíos: Jorge está rodeado de misterio, es un hombre triste y taciturno que lleva a cuestas la culpabilidad de un hecho que sólo él conoce y con el cual tiene que vivir.
Javi is 16 years old, he has left high school and has become a kind of well-paid bully by the students themselves, who ask for all kinds of jobs: revenge, retrieving stolen objects, breaking a nose... But one day, in the middle of a party, they make a different request. And the thing goes wrong...
At the same time, Jorge has just arrived in the city and has started working in an industrial carpentry unit. Arturo, a job partner, tries to befriend him, but his efforts are in vane: Jorge is surrounded in mystery, he is a sad and taciturn man who carries the guilt of an incident that only he knows about and with which he has to live.
Premio del público a mejor obra en el Salón Internacional del Cómic de Barcelona 2014
Paralelamente, Jorge acaba de llegar a la ciudad y ha empezado a trabajar en una nave de carpintería industrial. Arturo, un compañero, intenta acceder a él, pero sus
esfuerzos resultan baldíos: Jorge está rodeado de misterio, es un hombre triste y taciturno que lleva a cuestas la culpabilidad de un hecho que sólo él conoce y con el cual tiene que vivir.
Javi is 16 years old, he has left high school and has become a kind of well-paid bully by the students themselves, who ask for all kinds of jobs: revenge, retrieving stolen objects, breaking a nose... But one day, in the middle of a party, they make a different request. And the thing goes wrong...
At the same time, Jorge has just arrived in the city and has started working in an industrial carpentry unit. Arturo, a job partner, tries to befriend him, but his efforts are in vane: Jorge is surrounded in mystery, he is a sad and taciturn man who carries the guilt of an incident that only he knows about and with which he has to live.
Premio del público a mejor obra en el Salón Internacional del Cómic de Barcelona 2014
Public Award for the best comic at the Barcelona International Comic Festival 2014
Grand Prix Lycéen de la BD 2016 otorgado por la ciudad de Colomiers
Grand Prize of Comics High School awarded by the city of Colomiers
«Papel estrujado es una de las novelas gráficas de debut más impresionantes que he leído en los últimos años. Nadar es muy ambicioso y tiene el talento para serlo».
“Papel Estrujado is one of the most impressive debut graphic novels I've read in recent years. Nadar is very ambitious and has the talent to be like that.”
Santiago García
“Papel Estrujado is one of the most impressive debut graphic novels I've read in recent years. Nadar is very ambitious and has the talent to be like that.”
Santiago García
«He aquí un universo gris plagado de minúsculos personajes. Rostros que envejecen, miradas que se cruzan, palabras que no llegan a pronunciarse. Sobre un escenario de hormigón y acero, miserable y mal iluminado, asistimos a una representación: el teatro de la vida y de la muerte, la vieja representación de los histriones clásicos, donde cada hombre y cada mujer portan una máscara que, tarde o temprano, ha de desprenderse
».
“Here is a gray universe full of tiny characters. Faces that age, glances that cross, words that are not pronounced. On a stage made of concrete and steel, miserable and badly lit, we witness a performance: the theater of life and death, the old representation of the classical histrions, where each man and each woman wears a mask that sooner or later It has to come off."
Alfonso Zapico
“Here is a gray universe full of tiny characters. Faces that age, glances that cross, words that are not pronounced. On a stage made of concrete and steel, miserable and badly lit, we witness a performance: the theater of life and death, the old representation of the classical histrions, where each man and each woman wears a mask that sooner or later It has to come off."
Alfonso Zapico
